Press
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Opera Now – Verdi’s Macbeth

“The impressive American bass-baritone Mark S. Doss was a secure, vocally imposing Macbeth.” Published in Opera Now (September 2016) by

September 1, 2016
The Spectator
The Spectator – Verdi’s Macbeth

“Macbeth,… was taken by Mark S. Doss. I don’t know whether it’s more my fault or his, but he is

August 13, 2016
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Express – Verdi’s Macbeth

“Macbeth was well served by Grammy Award winner Mark S Doss in the title role. A rich bass-baritone and powerful

August 7, 2016
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Bachtrack – Verdi’s Macbeth

“Mark S Doss gave a thrilling Macbeth: his bass-baritone powered relentlessly through the music, showing ease at both ends of

July 28, 2016
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Diversity on stage good for all: Opera Star – Radio Canada International

“Diversity is quite good for all of us. It keeps us open-minded and allows us to be more balanced in

February 5, 2016
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Ottawa Citizen – Verdi’s Requiem

“And stentorian bass-baritone Mark Steven Doss gave the most sensitive and attentive interpretation of the text of the quartet.” Published

April 27, 2015
Wolfgangs Tonic
Wolfgang’s Tonic – Verdi’s Requiem

“Bass-baritone Mark Steven Doss sang with a darkness of tone that went well with the gravitas of the text. The

April 27, 2015
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Chicago Sun-Times – Mark S. Doss Returns For Holiday Tradition

Chicago has been something of a second home for bass-baritone Mark S. Doss during his top-level international operatic career, which

December 17, 2014
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The Stage – Verdi’s Aida

“Leading the field among the four principals is Mark S Doss as Amonasro – a thrilling stage performer who wastes

July 23, 2014
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Artists On Stage: Mark S. Doss – Opera Canada

April 28, 2014 (Spring 2014 edition) Opera Canada Artists On Stage: Mark S. Doss Cick here to read the article

April 28, 2014
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