Reviews
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Opera Now – Verdi’s Macbeth

“The impressive American bass-baritone Mark S. Doss was a secure, vocally imposing Macbeth.” Published in Opera Now (September 2016) by

September 1, 2016
The Spectator
The Spectator – Verdi’s Macbeth

“Macbeth,… was taken by Mark S. Doss. I don’t know whether it’s more my fault or his, but he is

August 13, 2016
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Express – Verdi’s Macbeth

“Macbeth was well served by Grammy Award winner Mark S Doss in the title role. A rich bass-baritone and powerful

August 7, 2016
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Bachtrack – Verdi’s Macbeth

“Mark S Doss gave a thrilling Macbeth: his bass-baritone powered relentlessly through the music, showing ease at both ends of

July 28, 2016
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Ottawa Citizen – Verdi’s Requiem

“And stentorian bass-baritone Mark Steven Doss gave the most sensitive and attentive interpretation of the text of the quartet.” Published

April 27, 2015
Wolfgangs Tonic
Wolfgang’s Tonic – Verdi’s Requiem

“Bass-baritone Mark Steven Doss sang with a darkness of tone that went well with the gravitas of the text. The

April 27, 2015
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The Stage – Verdi’s Aida

“Leading the field among the four principals is Mark S Doss as Amonasro – a thrilling stage performer who wastes

July 23, 2014
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London Financial Times – Boito’s Mefistofele

“As Mefistofele, Mark S. Doss is so charismatic he may change your mind about an ultimate destination in the afterlife.

December 30, 2013
DaytonDailyNews
Dayton Daily News – Bloch’s Sacred Service

“Doss, who once considered joining the priesthood, performed his soloist role with a regally commanding vocal facility that was both

December 14, 2013
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Bass-baritone Mark S. Doss at The Music Settlement

Mark S. Doss returned to his hometown last weekend for a Friday evening concert with The Singers’ Club, who joined with

December 11, 2012
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