Ottawa Citizen – Verdi’s Requiem

“And stentorian bass-baritone Mark Steven Doss gave the most sensitive and attentive interpretation of the text of the quartet.” Published

April 27, 2015
Wolfgang’s Tonic – Verdi’s Requiem

“Bass-baritone Mark Steven Doss sang with a darkness of tone that went well with the gravitas of the text. The

April 27, 2015
The Stage – Verdi’s Aida

“Leading the field among the four principals is Mark S Doss as Amonasro – a thrilling stage performer who wastes

July 23, 2014
London Financial Times – Boito’s Mefistofele

“As Mefistofele, Mark S. Doss is so charismatic he may change your mind about an ultimate destination in the afterlife.

December 30, 2013
Dayton Daily News – Bloch’s Sacred Service

“Doss, who once considered joining the priesthood, performed his soloist role with a regally commanding vocal facility that was both

December 14, 2013
Bass-baritone Mark S. Doss at The Music Settlement

Mark S. Doss returned to his hometown last weekend for a Friday evening concert with The Singers’ Club, who joined with

December 11, 2012
Opera News – Faust’s Méphistophélèles

“Mark S. Doss’ Mephistopheles was a monster of cynicism and a demoniacally energetic performer…” (As Méphistophélèles in Faust with Santa

January 28, 2010
The Cincinnati Post – Samson et Dalilah

“As the malevolent High Priest, Mr. Doss met the vocal demands wonderfully and gave gripping characterization, particularly as he mocked

December 14, 2007
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